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At Aston Magna, Thomas Jefferson’s favorite tunes and Baroque music by modern 30-somethings

Daniel Stepner, director of the Aston Magna Music Festival since 1991.Katalin Mitchell

In February 1770, Thomas Jefferson’s childhood home at the plantation Shadwell, in Albemarle County, Va., burned to the ground. Years later, his great-granddaughter Sarah Randolph retold the story of his arrival at the estate after the fire, when he allegedly asked one of his family’s enslaved servants if any of his books had survived. The answer was no, “but ah! we saved your fiddle.”

Long before he became the third president of the United States, Jefferson was an avid amateur violinist with a music library to match, and he meticulously cataloged all the titles he owned. When violinist and longtime Aston Magna Music Festival artistic director Daniel Stepner browsed through it, he was unexpectedly impressed at what he found there — and it provided the inspiration for the first program in this year’s festival, scheduled for performance in Newton on July 10 and Great Barrington on July 12.

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Rembrandt Peale, "Thomas Jefferson," 1805. Oil on linen. New-York Historical Society





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